They didn't cut

‘A Chorus Line’ taps into the ’I really need this job’ mood of the country right now. 1n 1975, Michael Bennett’s workshops with out of work and struggling Broadway dancers resulted in one of Broadway’s biggest hits. He brought show gypsies up front and the allegory of everyone working their asses off just to get a chance to work their asses off resonates now more than ever.


scene backstage:

Hanging out with Nate D & Michael C before the show in the Forrest alley. After the show, one of them thought we were just having an intermission drink. Anita was also seen loitering with intent.